Sonic Anchor #36 brings a duo of Kwong Wai Yi and Sasa, and Tsun Yeung to the McAulay Studio, the duo will be pondering on the constant loss of memories and the notion of piecing fragments together to create new impressions of the past.

Homesickness involves the continuous loss of things and reshaping their appearance. Generating real-time sounds and recording toy sounds serve as evidence for validating memories, highlighting the difference between distorted memories and actual sounds. A echo represents a sense of homesickness through lingering sounds. Memories persist, but their presence is noticed when sounds disappear or resonate. Fragments of sounds can form non-linear memories, albeit incomplete. Each act of reminiscing adds new layers of impression, like a sound loop. Rain, an ordinary yet infrequent sound, reveals the transient nature of things with each raindrop.

今場的聲音下寨將在麥高利小劇場為觀眾呈獻由鄺惠怡及黃曉晴組成的二人組合以及楊俊的演出。鄺惠怡及黃曉晴慣常使用而不限於聲音及影像藝術手法，他們將透過作品思索不斷遺忘的記憶以及重組碎片以重朔對過去印象的概念。

所謂鄉愁不過是為不斷遺失的事物發愁，在此狀態下，我們會在腦中重塑缺失事物的樣貌構成扭曲的記憶以作為自身存作的證明。實際發生過的事物永遠不能被完整的記得；每一次以聲音碎片拼湊回憶時都會為記憶加上一層新的印象，回響、縈繞、漸遠的回音證明著記憶的存在，但在聲音消散之前往往不被察覺。唯有在聲音擊響的一刻，我們才意識到有多少事物經已流逝。